Betty Collings and ‘To Begin, Again: A Prehistory of the Wex, 1968–89'
Contemporary HUM
exhibition
Wexner Center for the Arts, The Ohio State University (OSU)
Kara Walker, The Katastwóf Karavan
Black Art in America
REVIEW
Prospect.4, New Orleans, LA
Spilling Over: Painting Color in the 1960s
Mousse Magazine
REVIEW
Whitney Museum of American Art, New York, NY
Kate Newby
Le Roy
ARTIST PROFILE
Than Hussein Clark
Kaleidoscope
ARTIST PROFILE
Commissions
The Moving Museum
PROJECT TEXTS
DUBAI, UAE, ISTANBUL, TR, & LONDON, UK
The Violet Crab at DRAF
GALLERY GUIDE
David Roberts Art Foundation, London, UK
Le Roy
EyeContact
BOOK REVIEW
Fulfilment Centre
C Magazine
REVIEW
The Sunday Painter, London, UK
Chronovisor Archive
C Magazine
REVIEW
South Kiosk, London, UK
Shen Xin, Shoulders of Giants
The British Council
REVIEW
Senate House, London, UK
Peter Peryer, The Wind at Whenuapai
CATALOGUE ESSAY
Bowerbank Ninow, Auckland, NZ
Barbara Visser, Manual/2: The Patient Artist
CATALOGUE ESSAY
Kunstraum, London, UK
Sunset
This is Tomorrow
REVIEW
The Sunday Painter, London, UK
Fulfilment Centre
Kaleidoscope
REVIEW
The Sunday Painter, London, UK
Kate Newby, Maybe I won't go to sleep at all
Art New Zealand
REVIEW
La Loge, Brussels, BE
I try to help them give form to the many options available to them
EXHIBITION
A Center For Art, Auckland, NZ
Out of a Stone
EXHIBITION
Banner Repeater, London, UK
Guy Benfield, Nairobi High
CATALOGUE ESSAY
Minerva, Sydney, AU
The Hand of Man
EXHIBITION
Y3K, Melbourne, AU